Casablanca

VHS covers: Casablanca. Classic romance war drama movie starring Humphrey Bogart, Ingrid Bergman, Paul Henreid. With Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre. Directed by Michael Curtiz. 1942.

Casablanca on VHS. Starring Humphrey Bogart, Ingrid Bergman, Paul Henreid. With Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre. Directed by Michael Curtiz. 1942.

From the box:

50th Anniversary Celebration

Remastered Collector’s Edition

The time: World War II. The place: Morocco, seething with European refugees desperate for passage to neutral Lisbon. The film: Casablanca, “the best Hollywood movie of all time” (Leonard Maltin).

The legends loom larger as time goes by. In the 45th film of his career, tough guy Humphrey Bogart at last becomes a romantic leading man (in a role originally intended for Ronald Reagan). He and luminous Ingrid Bergman portray former lovers briefly reunited in the chaos of war. They’ll “always have Paris.” And we’ll always have their incomparable on-screen magic. Bogart is Rick, a world-weary nightclub owner who claims, “I stick my neck out for nobody.” Bergman is Ilsa, fleeing the Nazis with her Resistance-hero husband. Only Rick can help the pair escape, but he refuses… until Ilsa reawakens his idealism.

This 50th anniversary limited edition of Casablanca has been restored and digitally remastered, and includes a “making of” documentary narrated by Lauren Bacall plus the original theatrical trailer. Here’s lookin’ at you, Casablanca.

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The Invisible Man

The Invisible Man VHS cover art with Gene Shalt. Movie starring Claude Rains, Gloria Stuart. Directed by James Whale. Based on the novel by H.G. Wells. 1933.

The Invisible Man on VHS. Starring Claude Rains, Gloria Stuart. Directed by James Whale. Based on the novel by H.G. Wells. 1933.

From the box:

In The Invisible Man, what you don’t see is what you get. This remarkable 1933 movie marked the screen debut of Claude Rains as a scientist who discovers how to make himself invisible but can’t reverse the process. Slowly he realizes with terror that he’s become a prisoner of his unseen self, an unbearable state that drives him to madness and murder. Although he is invisible, his clothes are not, so we witness the bizarre sight of seemingly empty trousers bounding along, his hat suspended in space, or a floating fork feeding a space with no face. Rains is unforgettable as he grasps his character, which is more than the local constables can do when they try to catch him. This spectral spectacle, based on H.G. Wells’ famous novel, is a motion picture classic–gripping and haunting. –Gene Shalt

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