When Worlds Collide

When Worlds Collide VHS cover art. Movie starring Richard Derr, Barbara Rush, Peter Hansen. Directed by Rudolph Maté. 1951.

When Worlds Collide on VHS. Starring Richard Derr, Barbara Rush, Peter Hansen. Directed by Rudolph Maté. 1951.

Editorial Review:

First published in 1932, Philip Wylie and Edwin Balmer’s speculative novel When Worlds Collide was immediately purchased by Paramount as a possible project for director Cecil B. DeMille. But because none of Paramount’s scriptwriters were able to come up with an adequate screen treatment, the property lay on the shelf until 1950, when producer George Pal was casting about for a follow-up to his successful sci-fier Destination Moon. Though the film was top-heavy with special effects, Pal was able to bring When Worlds Collide in for under a million dollars, thanks to an inexpensive cast and a heavy reliance upon stock footage. The story is set in motion when Dr. Cole Henderson (Larry Keating) announces that a extraterrestrial planet is on a collision course with the Earth. No one believes Henderson’s story, save for crippled financier Stanton (John Hoyt), who finances the construction of a gigantic spaceship, built for the purpose of transporting selected survivors from the doomed Earth to another Earthlike planet. As it becomes obvious that Henderson’s predictions will come true, a worldwide lottery is held to select those people who will be rescued from oblivion by Stanton’s spaceship. In the climactic scenes, the worlds do indeed collide, with appropriately spectacular results. But will the spaceship, overloaded with humanity, be able to take off and seek out a Brave New World? Amidst the thrills, a romantic triangle emerges, involving Richard Derr, Barbara Rush and Peter Hanson. ~ Hal Erickson, Rovi All Movie Guide

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Earth Vs. The Flying Saucers

Earth Vs. The Flying Saucers VHS cover art. Movie starring Hugh Marlowe, Joan Taylor, Donald Curtis. Special Effects by Ray Harryhausen. Directed by Fred F. Sears. 1956.

Earth Vs. The Flying Saucers on VHS. Starring Hugh Marlowe, Joan Taylor, Donald Curtis. Special Effects by Ray Harryhausen. Directed by Fred F. Sears. 1956.

Editorial Review from Amazon.com:

A textbook example of ’50s-era science fiction, Earth vs. the Flying Saucers boasts not only a solid script and competent performances, but some genuinely impressive stop-motion effects courtesy of one of the industry’s uncontested masters, Ray Harryhausen. Scientist Hugh Marlowe (who faced a more benevolent invader from space five years earlier in The Day the Earth Stood Still) discovers that UFOs are responsible for the destruction of a series of exploratory space rockets launched by his space exploration project. The saucers’ helmeted pilots land on Earth and deliver an ultimatum to humanity via Marlowe: fealty or complete annihilation.

Harryhausen’s painstakingly intricate saucers and the destruction they wreak (particularly during an assault on Washington, D.C.) are the film’s unquestionable highlights, but Marlowe and Joan Taylor (as his wife/partner) are capable leads, and veteran B director Fred F. Sears doesn’t let the dialogue and expositional scenes fall apart in between the barrage of effects. Earth vs. the Flying Saucers is a fun and effective slice of sci-fi that should please younger audiences as well as nostalgic return viewers. Sears later reused some of the effects footage for his jaw-droppingly awful 1957 effort, The Giant Claw. –Paul Gaita

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It Came From Outer Space

It Came From Outer Space VHS cover art. Movie starring Richard Carlson, Barbara Rush, Charles Drake. From a story by Ray Bradbury. Directed by Jack Arnold. 1953.

It Came From Outer Space on VHS. Starring Richard Carlson, Barbara Rush, Charles Drake. From a story by Ray Bradbury. Directed by Jack Arnold. 1953.

From imdb:

A spaceship from another world crashes in the Arizona desert, and only an amateur stargazer and a schoolteacher suspect alien influence when the local townsfolk begin to act strange.

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Son Of Frankenstein

Son Of Frankenstein VHS cover art. Movie starring Boris Karloff, Basil Rathbone, Bela Lugosi. Directed by Rowland V. Lee. 1939.

Son Of Frankenstein on VHS. Starring Boris Karloff, Basil Rathbone, Bela Lugosi. Directed by Rowland V. Lee. 1939.

From the box:

Boris Karloff stars for the last time in the role that made him a screen legend in this, the second sequel to the famous horror classic.

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Frankenstein

Frankenstein VHS cover art. Movie starring Boris Karloff, Colin Clive, Mae Clarke. Directed by James Whale. 1931.

Frankenstein on VHS. Starring Boris Karloff, Colin Clive, Mae Clarke. Directed by James Whale. 1931.

Editorial Review:

Because Frankenstein created much of the cinematic language of horror films, it has often been imitated (and parodied). Consequently (and ironically), viewers coming to the film today may mistake the conventions that it created for cliches. The mad scientist and his neo-Gothic lab, comma-shaped assistant, and rigidly lurching monster were all creations of director James Whale, and all have become movie icons. However, watching Frankenstein is more than simply an exercise in nostalgia. Despite moments of melodrama, the film is wonderfully economical, telling a complex and engaging tale in little more than one hour. There are more moments of quiet power (most of them involving the strikingly effective Boris Karloff as the monster who simply wants to be loved) than you’ll find in a fistful of big-budget horror films. Whale knew his medium and didn’t clutter the action with a lot of chatter. Instead, he filled the screen with images that would become part of our cultural lexicon. He builds the story to its tragically inevitable climax, interchanging moments of subtle beauty and dreadful horror. Rather than simply adopt a conventional perspective (man should not play God), Whale emphasized the human drama (Frankenstein should not have abandoned his creation), turning a horror film into an existential tale of man’s fear of abandonment. Dan Jardine

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Rocketship X-M

Rocketship X-M VHS cover art. Movie starring Lloyd Bridges, Osa Massen, John Emery, Noah Beery Jr. Directed by Kurt Neumann. 1950.

Rocketship X-M on VHS. Starring Lloyd Bridges, Osa Massen, John Emery, Noah Beery Jr. Directed by Kurt Neumann. 1950.

Editorial Reviews from Amazon.com:

Before the mid-1950s, science fiction was mostly confined to kid-stuff serials such as Buck Rogers; the things they portrayed were considered pure fantasy, pie in the sky. By 1950, however, things had changed. World War II had brought the German V-2 rocket (the template for many a ’50s sci-fi rocket ship), television, and of course, the bomb. Sabrejets and MiGs were doing battle over Korea, and science fiction had become fact. Rocketship X-M (the X-M standing for Expedition: Moon), though primitive and cheap, has a place in film history as being the movie that initiated the ’50s science fiction boom. A crew of four men and one woman embark for the moon, but when all are knocked unconscious, the rocket goes into a drift and they wind up on Mars instead. On the pinkish Mars, they encounter a race of extremely ticked-off cavemen who don’t want them there and kill off three of their number. Certainly the effects are quaint (the astronauts and ground control communicate via surplus WWII radio equipment), the story a little ridiculous, and the acting stiff–but this was the first serious science fiction movie and was the inspiration for countless films that followed. –Jerry Renshaw

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Mars Needs Women

Mars Needs Women VHS cover art. Movie starring Tommy Kirk, Yvonne Craig, Warren Hammack. Directed by Larry Buchanan. 1967.

Mars Needs Women on VHS. Starring Tommy Kirk, Yvonne Craig, Warren Hammack. Directed by Larry Buchanan. 1967.

Editorial Review from Amazon.com:

Mars Needs Women is as bad or as good as its title suggests–either way, you’re going to marvel at this mess-terpiece. The red planet has a female shortage due to “a critical recession of the Y chromosome,” so Tommy Kirk (stalwart of ’60s Disney flicks) leads a trio of fellow Martians to recruit fertile Earth chicks, including a stripper (of course), a stewardess (er, flight attendant), and a brainy reporter (the latter played by Yvonne Craig of “Batgirl” fame). Filmed in Texas on a budget of (apparently) a few hundred bucks, this bad-movie milestone incorporates Air Force archival footage, a time-capsule glimpse of Dallas nightlife (you’ll spot The Fortune Cookie on a marquee), and plenty of Martian snobbery about “the environmental naiveté of the Earthmen.” To say it’s all a hoot is an understatement; Mars Needs Women is an enduring artifact of the pre-Easy Rider era–a drive-in disaster that won’t (and shouldn’t) go away. –Jeff Shannon

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